From “Patchwork” to “Tapestry”: The Combined Roles of Interactions and Management Tools within a Process of Innovation in the Performing Arts Sector (notice n° 502656)

détails MARC
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Language code of text/sound track or separate title fre
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Personal name Amans, Pascale
Relator term author
245 00 - TITLE STATEMENT
Title From “Patchwork” to “Tapestry”: The Combined Roles of Interactions and Management Tools within a Process of Innovation in the Performing Arts Sector
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Date of publication, distribution, etc. 2014.<br/>
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General note 72
520 ## - SUMMARY, ETC.
Summary, etc. This article explores the notion of Sectoral Systems of Innovation (SSI) in the performing arts. New original artistic productions in this field are accompanied by strong interactions between public institutions, organizations and professional networks. The performing arts sector thus constitutes an ensemble of knowledge, actors, networks, and institutions, an SSI in accordance with Malerba (2002, 2004). More precisely, this research aims to understand the structuring effects of the intersecting dynamics of interactions and management tools on artistic innovation. The specificities of the performing arts sector, notably its innovative dimension and highly institutionalized character, have led us to adopt the reading framework put forth by neo-institutional theories as well as those linked to management tools. From an empirical point of view, we have drawn on the study of a theatrical organization in a particularly exemplary situation of innovation. Initially under the impetus of a public institution, it has since built partnerships with many other performing arts organizations to put forward an innovative artistic program in the context of a specific cycle of concerts. This article shows that the initial flexibility of the patchwork between different organizations allowed for the cycle to be launched and thus for artistic innovation to emerge within the studied theatre; the growing formalization of the interactions, together with a progressive structuration of mobilized management tools, have subsequently allowed for the cycle to be inscribed in the duration around a communal management blueprint, to enlarge the field of cooperation and, ultimately, to perpetuate and enrich observable innovation at the level of this same theatre.
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Topical term or geographic name as entry element process innovation
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element performing arts
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Topical term or geographic name as entry element neo-institutionalism
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Topical term or geographic name as entry element product innovation
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Topical term or geographic name as entry element interaction
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Topical term or geographic name as entry element sectoral system of innovation
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element management tool
700 10 - ADDED ENTRY--PERSONAL NAME
Personal name Mazars-Chapelon, Agnès
Relator term author
700 10 - ADDED ENTRY--PERSONAL NAME
Personal name Villesèque-Dubus, Fabienne
Relator term author
786 0# - DATA SOURCE ENTRY
Note Innovations | o 43 | 1 | 2014-02-01 | p. 85-113 | 1267-4982
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Uniform Resource Identifier <a href="https://shs.cairn.info/journal-innovations-2014-1-page-85?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-innovations-2014-1-page-85?lang=en&redirect-ssocas=7080</a>

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