The Walls that Talk: Political Graffiti in 1877 (notice n° 512851)
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fixed length control field | 01418cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121091850.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Barrows, Susanna |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | The Walls that Talk: Political Graffiti in 1877 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2016.<br/> |
500 ## - GENERAL NOTE | |
General note | 87 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Graffiti was one of the most visible forms of popular resistance to President MacMahon’s revocation of Jules Simon’s republican government on 16 May 1877, to the naming of a prime minister from the minority monarchist party, and to the dismissal of the Chamber of Deputies. For the five months of this foundational political crisis and ensuing election campaign, presidential posters and those of official candidates were crossed out, torn down, soiled or written on with ironic expressions. Messages of mockery, conveying humour of a scatological or pornographic bent, were engraved with knife blades or drawn on the walls of many cities in France, especially Paris. Through this form of protest, which was iconoclastic in its content and sometimes in its style, a democratic political culture is unveiled that was profoundly anchored in the working class, in Paris and elsewhere, both geographically and sociologically. |
786 0# - DATA SOURCE ENTRY | |
Note | Le Mouvement Social | o 256 | 3 | 2016-09-23 | p. 45-64 | 0027-2671 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-le-mouvement-social1-2016-3-page-45?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-le-mouvement-social1-2016-3-page-45?lang=en&redirect-ssocas=7080</a> |
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