The Walls that Talk: Political Graffiti in 1877 (notice n° 512851)

détails MARC
000 -LEADER
fixed length control field 01418cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121091850.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Barrows, Susanna
Relator term author
245 00 - TITLE STATEMENT
Title The Walls that Talk: Political Graffiti in 1877
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2016.<br/>
500 ## - GENERAL NOTE
General note 87
520 ## - SUMMARY, ETC.
Summary, etc. Graffiti was one of the most visible forms of popular resistance to President MacMahon’s revocation of Jules Simon’s republican government on 16 May 1877, to the naming of a prime minister from the minority monarchist party, and to the dismissal of the Chamber of Deputies. For the five months of this foundational political crisis and ensuing election campaign, presidential posters and those of official candidates were crossed out, torn down, soiled or written on with ironic expressions. Messages of mockery, conveying humour of a scatological or pornographic bent, were engraved with knife blades or drawn on the walls of many cities in France, especially Paris. Through this form of protest, which was iconoclastic in its content and sometimes in its style, a democratic political culture is unveiled that was profoundly anchored in the working class, in Paris and elsewhere, both geographically and sociologically.
786 0# - DATA SOURCE ENTRY
Note Le Mouvement Social | o 256 | 3 | 2016-09-23 | p. 45-64 | 0027-2671
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-le-mouvement-social1-2016-3-page-45?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-le-mouvement-social1-2016-3-page-45?lang=en&redirect-ssocas=7080</a>

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