Disorders at the Borders (notice n° 51445)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02352cam a2200289zu 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | FRCYB88918158 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250107175334.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250107s2021 fr | o|||||0|0|||eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781800791800 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | FRCYB88918158 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | FR-PaCSA |
| Language of cataloging | en |
| Transcribing agency | |
| Description conventions | rda |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Wates, Matt |
| 245 01 - TITLE STATEMENT | |
| Title | Disorders at the Borders |
| Remainder of title | In Search of the Gesamtkunstwerk in the Paintings of Anselm Kiefer |
| Statement of responsibility, etc. | ['Wates, Matt', 'Weikop, Christian'] |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Name of producer, publisher, distributor, manufacturer | Peter Lang |
| Date of production, publication, distribution, manufacture, or copyright notice | 2021 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | p. |
| 336 ## - CONTENT TYPE | |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type code | c |
| Source | rdamdedia |
| 338 ## - CARRIER TYPE | |
| Carrier type code | c |
| Source | rdacarrier |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Although Anselm Kiefer’s work is routinely compared with the Gesamtkunstwerk, the «total work of art» pioneered by Richard Wagner, Disorders at the Borders represents the first time this relationship has been thoroughly investigated. But it is a relationship that involves much more than just aesthetics. Furthermore, it is a highly ambivalent one. The Gesamtkunstwerk was an embodiment of a certain view of nationhood, and nationhood is a concept that Kiefer has spent much of his career rendering thoroughly problematic. But Wagner’s innovative, inclusive art form was intended above all as a counter to the individualism that the composer was far from alone in identifying as the besetting sin of modernity, and that was widely thought at the time to be most evident in America. It can thus be contextualized within the long German tradition of counter-Americanism – as, to a large extent, can Kiefer. For whilst he owes his spectacular success in no small degree to the positive reception of his work in America, he has throughout his career displayed a resistance to the artistic influence of that country. Moreover, he and Wagner take a mutual stance regarding a series of questions: can art be separated from society, or the individual arts from each other? Is painting purely visual, and music purely sonic? Do things, in short, ever really exist or operate in isolation? That they answer in the negative to all of these is what, ultimately, connects Kiefer with Wagner. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | |
| 700 0# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Wates, Matt |
| 700 0# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Weikop, Christian |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Access method | Cyberlibris |
| Uniform Resource Identifier | <a href="https://international.scholarvox.com/netsen/book/88918158">https://international.scholarvox.com/netsen/book/88918158</a> |
| Electronic format type | text/html |
| Host name | |
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