National and Universal (notice n° 517832)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01159cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121094318.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Róka, Enikő |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | National and Universal |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2014.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 59 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In the 19th century, each of the national identities in the Kingdom of Hungary, at the heart of the Habsburg Empire, created its own historical narrative. Such was also the case, but more indirectly, with visual arts. The famous moments of the usable past, portrayed as a mythical golden age, were represented on the front of buildings in public spaces. They therefore reached out to larger audiences and strengthened the bonds of national identity. Soon enough, they became part and parcel of collective memory. The end of the century saw the attempt at going beyond this specific golden age to attain a more universal dimension. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Métayer, Guillaume |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Mil neuf cent. Revue d'histoire intellectuelle | o 31 | 1 | 2014-07-04 | p. 71-99 | 1146-1225 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-mil-neuf-cent-2013-1-page-71?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-mil-neuf-cent-2013-1-page-71?lang=en&redirect-ssocas=7080</a> |
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