Cockney culture and the Lambeth Walk: Mass Observation’s study revisited (notice n° 517969)
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|---|---|
| fixed length control field | 01204cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121094359.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Mak, Ariane |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Cockney culture and the Lambeth Walk: Mass Observation’s study revisited |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2017.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 7 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | By revisiting one of Mass Observation’s ethnographical studies, this article aims to provide an analysis of the forms of representation, “folklorization” and reappropriation of cockney culture at play in the Lambeth Walk dance craze of the summer of 1938. It examines the social circulations of the cockney, coster and Pearly King archetypes – from the music-hall play to the imitations enacted by dancers, and to the streets of Lambeth. Indeed, little scholarly attention has been given to the attitudes of Lambethians themselves to the representation of local culture, yet Mass Observation’s investigators’ fieldnotes offer rich insights on these issues. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Mil neuf cent. Revue d'histoire intellectuelle | o 35 | 1 | 2017-11-24 | p. 117-158 | 1146-1225 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-mil-neuf-cent-2017-1-page-117?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-mil-neuf-cent-2017-1-page-117?lang=en&redirect-ssocas=7080</a> |
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