The Metamorphosis of the Coffin (notice n° 521473)
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fixed length control field | 01454cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121095953.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Secretan, Thierry |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | The Metamorphosis of the Coffin |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2011.<br/> |
500 ## - GENERAL NOTE | |
General note | 67 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The first articles by Thierry Secretan concerning the figurative coffins from Ghana appeared in 1989 in The Sunday Telegraph, GEO and Life, introducing the western world to this funeral art. Later Thierry Secretan’s documentary film and his book ( Il fait sombre va t’en, Hazan, 1994, Going into Darkness, Thames & Hudson Ltd, 1995) revealed under which circumstances this art was born in Ghana at the end of the 1950’s. In 1999, Erimore, a Scottish lady, saw two of these coffins on a British TV show. They belonged to a Bristol funeral parlour to which Erimore placed an order: her coffin would take the shape of the fighter plane used by the Red arrows, the national air team. Erimores’s coffin widely advertised in the British press provoked more orders throughout the United Kingdom. Europeans borrowing an African custom is a rare phenomenon. Thierry Secretan decided to meet these customers, to photograph them next to their coffin and to interview them about their motivations. |
786 0# - DATA SOURCE ENTRY | |
Note | Multitudes | o 47 | 4 | 2011-11-01 | p. 111-121 | 0292-0107 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-multitudes-2011-4-page-111?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-multitudes-2011-4-page-111?lang=en&redirect-ssocas=7080</a> |
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