Soft music as a false positive of contemporary presentism (notice n° 522309)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01065cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121100257.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Christoffel, David |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Soft music as a false positive of contemporary presentism |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 64 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | 100 years ago, the futurist form of presentism cultivated by the avant-gardes hoped for bruitism to incorporate urban noises in the art of sound. Today a catastrophist form of presentism orders soothing music to relax survivalist anxieties. Old nursery rimes are offered a second life, reducing music to psychotherapy. But the more relaxing benefits are found in sounds, the less one reflects upon the critical potentials of the perceptual dilatation made possible by musical time. In guise of hope, the paper concludes on a paradoxical hypothesis about libertarian hypnosis. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Multitudes | o 69 | 4 | 2018-01-24 | p. 115-120 | 0292-0107 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-multitudes-2017-4-page-115?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-multitudes-2017-4-page-115?lang=en&redirect-ssocas=7080</a> |
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