From conServation to conVersation (notice n° 522523)
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fixed length control field | 01449cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121100358.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Snoep, Nanette |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | From conServation to conVersation |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2020.<br/> |
500 ## - GENERAL NOTE | |
General note | 76 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Nanette Snoep, then director of the Grassi Museum für Völkerkunde zu Leipzig (2015-2019) and now head of the Rautenstrauch-Joest Museum – Kulturen der Welt in Cologne, looks back in this article on the exhibition “Megalopolis – Voices from Kinshasa”(2018) that she hosted in Leipzig and how its organisation was designed to give curators Eddy Ekete and Freddy Tsimba carte blanche. The difficulties inherent in the ethnographic museum’s organization, which is still dominant today, and the necessary and urgent participation of cultural actors from the countries from which the ethnographic collections originate, call for a structural revision of its functioning. How can museums become effective places for the decolonization of knowledge and narratives? Who speaks and who speaks to whom? And how? Instead of being a museum confined to exclusive conServation, it should be more dedicated to conVersation, in a forum where objects speak to us and people speak to each other. |
786 0# - DATA SOURCE ENTRY | |
Note | Multitudes | o 78 | 1 | 2020-03-23 | p. 198-202 | 0292-0107 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-multitudes-2020-1-page-198?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-multitudes-2020-1-page-198?lang=en&redirect-ssocas=7080</a> |
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