Iran and its (Mis) Representation (notice n° 522632)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01349cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121100500.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Pourhosseini, Behrang |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Iran and its (Mis) Representation |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2021.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 84 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Iran (especially post-revolutionary Iran) suffers twice from its misrepresentation. Not only has the gap widened within its borders between social diversity and the Islamic Republic installed since the revolution of 1979. In its perception outside, this revolution has also reactivated culturalist readings. In this article, we mobilize the concept of “representation”, in its political and aesthetic meanings, in order to draw another picture of the tensions between Iranian society and its State. The government’s blockage of democratic representation has led Iranian society, in search of its image, to turn to increasingly aesthetic modalities. These sensibilities influence the political landscape, just as aesthetic representations are always susceptible to receive and carry political meaning. It is this conflict of images in the Iranian context that we are interested in. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Multitudes | o 83 | 2 | 2021-06-10 | p. 69-76 | 0292-0107 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-multitudes-2021-2-page-69?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-multitudes-2021-2-page-69?lang=en&redirect-ssocas=7080</a> |
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