Raising the Earth, Lifting the Sky (notice n° 523060)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01337cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121100707.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Peccei Szaniecki, Barbara |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Raising the Earth, Lifting the Sky |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2024.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 11 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | It’s no coincidence that two great art and cultural historians, Georges Didi-Huberman and Enzo Traverso, have engaged in a fascinating public debate on Gilles Caron’s photograph on the cover of the catalog for the “Soulèvements” exhibition organized by the former. This essay brings together worlds far removed in time and space—from ancient Greece to the Amazon rainforest—through the similarity of a gesture and an attitude, its meaning and its reversal. Today, indigenous mobilizations are taking on quite unexpected expressions: in April 2023, gathered at the Terre Libre Camp in Brasilia, many indigenous peoples launched new words—indigenisar, mulherizar, oncificar—to express their movements and uprisings. This new vocabulary was accompanied by a wide range of image practices, including demonstrations, performances, projections and paintings. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Multitudes | o 96 | 3 | 2024-09-18 | p. 92-98 | 0292-0107 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-multitudes-2024-3-page-92?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-multitudes-2024-3-page-92?lang=en&redirect-ssocas=7080</a> |
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