Framing the Attitude of the Spectator: An Aesthetic Constraint (notice n° 523968)
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|---|---|
| fixed length control field | 01091cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121101223.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Trentini, Bruno |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Framing the Attitude of the Spectator: An Aesthetic Constraint |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 64 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Accessing the mode of production of the work of art is in some cases a necessity for esthetic appreciation: as if the framing of work would allow a framing of the attitude of the spectator without which aesthetic experience could not exist. From the study of a series of René Magritte’s paintings compared with contemporary works, poetic constraint is broached for the strategic and programmatic qualities of the reception of the work: a reception which would be impossible without the latter because the spectator would not know what attitude to adopt to the work. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Nouvelle revue d’esthétique | o 9 | 1 | 2012-06-01 | p. 55-62 | 2264-2595 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2012-1-page-55?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2012-1-page-55?lang=en&redirect-ssocas=7080</a> |
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