Ruins at work (notice n° 524334)

détails MARC
000 -LEADER
fixed length control field 01416cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121101339.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Fimiani, Filippo
Relator term author
245 00 - TITLE STATEMENT
Title Ruins at work
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2018.<br/>
500 ## - GENERAL NOTE
General note 44
520 ## - SUMMARY, ETC.
Summary, etc. The Seven Heavenly Palaces were created by Anselm Kiefer to inaugurate the HangarBicocca in Milan in 2004, and, after an intervention on the site in 2008, were transferred, preserved, repaired, and finally reinstalled in a different way for a new and definitive exhibition with some paintings in 2015. Erected around prefabricated containers, these monumental ruins in reinforced concrete, are in fact assembled, reconstructed, and restored ruins, non-architectural and metaphorical buildings with a mass of complementary materials considered to be an integral part of the work and credited as produced by the artist in person. Based on what pre-understandings and values is the operation of conservation and restitution established and achieved? Based on what idea of the ontological, perceptual and semantic identity of the work of art has the aesthetic experience of this high problematic site-specific installation been reconfigured?
786 0# - DATA SOURCE ENTRY
Note Nouvelle revue d’esthétique | o 21 | 1 | 2018-11-05 | p. 121-129 | 2264-2595
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2018-1-page-121?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2018-1-page-121?lang=en&redirect-ssocas=7080</a>

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