When ornament becomes the subject: Wallpaper in avant-garde paintings of the late nineteenth century (notice n° 524357)
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| fixed length control field | 00993cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121101342.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Ameille, Brice |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | When ornament becomes the subject: Wallpaper in avant-garde paintings of the late nineteenth century |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 67 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | A central element of interior decoration, wallpaper appears in many late-nineteenth-century paintings. This article looks at the relationship that this type of ornament has with the scene depicted, from Gauguin’s work, where it has a symbolic function, to Vuillard’s, where it is so omnipresent that it becomes a real subject. This new relationship thus proves that decorative art does indeed play a key role in modern painting. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Nouvelle revue d’esthétique | o 23 | 1 | 2019-09-02 | p. 41-53 | 2264-2595 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2019-1-page-41?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2019-1-page-41?lang=en&redirect-ssocas=7080</a> |
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