Of color in criticism (notice n° 524524)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01269cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121101410.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lachat, Jacob |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Of color in criticism |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2021.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 37 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | At the turn of the nineteenth century, several theories about the nature of color emerged. They started from the principle that the appreciation of color phenomena depends largely on the physiology of the eye and the complementarity of colors. These theories found considerable resonance in the French artistic field from the 1830s onward. More specifically, we wish to question the ways in which color optics are integrated into art criticism. After a brief overview of some physiological approaches to color in the eighteenth and nineteenth centuries, we look at texts by Théophile Thoré, Théophile Gautier, and Charles Baudelaire—three critiques that enable us to identify the epistemological issues that lie beneath the aesthetic judgment. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Zanetta, Julien |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Nouvelle revue d’esthétique | o 27 | 1 | 2021-06-07 | p. 77-86 | 2264-2595 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2021-1-page-77?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2021-1-page-77?lang=en&redirect-ssocas=7080</a> |
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