Ontology of artistic performance (notice n° 524527)
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control field | 20250121101410.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Anne-Braun, Alexis |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Ontology of artistic performance |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2021.<br/> |
500 ## - GENERAL NOTE | |
General note | 41 |
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Summary, etc. | Based on Marina Abramović’s practice of performative art, aspiring to constitute performance art as an art of repertoire, I offer in this paper an ontology of performative artworks. Is it possible to reenact a historical work, as we would perform a musical work, defined by its score? My philosophical concern here falls within an applied ontology, sensitive to concrete and pragmatic problems raised by artistic practices such as identification, preservation, and exhibition. I successively examine three hypotheses: an artistic performance is an event-type identified by its script and with multiple instances; an artistic performance is the utterance of an idea; an artistic performance is an event-type indicated both by the history of its composition and by its first enactment. These various elaborations drive us to question the function of the artist-performer in the work. I draw the following conclusion: we must consider, beside scripts and score, some felicitous conditions of the work. |
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Note | Nouvelle revue d’esthétique | o 27 | 1 | 2021-06-07 | p. 121-130 | 2264-2595 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2021-1-page-121?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2021-1-page-121?lang=en&redirect-ssocas=7080</a> |
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