The blow in pro wrestling or pleasure taken to the limits of fiction (notice n° 524545)

détails MARC
000 -LEADER
fixed length control field 01272cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121101412.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Morisset, Thomas
Relator term author
245 00 - TITLE STATEMENT
Title The blow in pro wrestling or pleasure taken to the limits of fiction
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2022.<br/>
500 ## - GENERAL NOTE
General note 58
520 ## - SUMMARY, ETC.
Summary, etc. In this article, my aim is to reflect upon the features of professional wrestling as a marginal art form. Against the views held by Roland Barthes in a famous article, I argue that the appreciation of pro wrestling is, in part, sadistic, but is not to be understood as the mere search for extreme sensations, but rather as an appreciation that deepens our relation to the sensible world. More precisely, this appreciation has its own specific object, the blow, i.e., the apparition of actual pain amid a fictional framework, thus prompting a pleasure-inducing play between fact and fiction, which is possible thanks to the permeable fictional structure of pro wrestling. Three kinds of blow are distinguished: the fall, the bruise, and blood.
786 0# - DATA SOURCE ENTRY
Note Nouvelle revue d’esthétique | o 29 | 1 | 2022-05-31 | p. 19-27 | 2264-2595
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2022-1-page-19?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2022-1-page-19?lang=en&redirect-ssocas=7080</a>

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