Street art: Autonomous overflow (notice n° 524547)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01122cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121101412.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Genin, Christophe |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Street art: Autonomous overflow |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 59 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Street art has long had a reputation for marginality, linked to the bad places of dissenting spirits. Art criticism, both scholarly and media, abounds in this sense, perpetuating an image of rebellious and unconventional practice. However, this marginality seems doubtful to us given the history of this movement, the economic and artistic evolution of certain street practices, and the recognition of street art by the art market or private and public cultural institutions. Examining the status of a margin and of street art from strictly artistic and aesthetic parameters, our discussion will focus on the notion of overflow. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Nouvelle revue d’esthétique | o 29 | 1 | 2022-05-31 | p. 29-38 | 2264-2595 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2022-1-page-29?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2022-1-page-29?lang=en&redirect-ssocas=7080</a> |
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