Otto Dix and Weimar Media Culture (notice n° 52710)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02211cam a2200289zu 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | FRCYB88924199 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250107180751.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250107s2022 fr | o|||||0|0|||eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781800791237 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | FRCYB88924199 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | FR-PaCSA |
| Language of cataloging | en |
| Transcribing agency | |
| Description conventions | rda |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Reimers, Anne |
| 245 01 - TITLE STATEMENT | |
| Title | Otto Dix and Weimar Media Culture |
| Remainder of title | Time, Fashion and Photography in Portrait Paintings of the Neue Sachlichkeit |
| Statement of responsibility, etc. | ['Reimers, Anne', 'Weikop, Christian'] |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Name of producer, publisher, distributor, manufacturer | Peter Lang |
| Date of production, publication, distribution, manufacture, or copyright notice | 2022 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | p. |
| 336 ## - CONTENT TYPE | |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type code | c |
| Source | rdamdedia |
| 338 ## - CARRIER TYPE | |
| Carrier type code | c |
| Source | rdacarrier |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Otto Dix (1891–1969) was a leading figure of the Neue Sachlichkeit movement in painting in 1920s Germany. This groundbreaking study analyses for the first time in depth the relationship between Dix’s verist-realist portrait paintings and the rapidly expanding mass media culture of the Weimar era. Focusing on a selection of portraits created in the first half of the 1920s, the book explores four specific aspects: the way in which Dix engaged with fashion and celebrity culture; how he responded to the challenge posed by photography; how he dealt with a situation where black-and-white reproductions were the most common medium through which diverse audiences encountered his work, and the ways in which Dix’s career development ran in parallel with the commentary on his artistic production in journalistic and specialist media publications. Temporality, medium-specificity and reproduction are identified as concerns that drove his aesthetic responses to a historically specific environment. New archival material, letters and interviews by the artist, and a wide range of publications by art critics, cultural theorists and art historians of the Weimar era are drawn on to reveal new information about key paintings such as Self-Portrait with Nude Model (1923) and Portrait of the Dancer Anita Berber (1925). |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | |
| 700 0# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Reimers, Anne |
| 700 0# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Weikop, Christian |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Access method | Cyberlibris |
| Uniform Resource Identifier | <a href="https://international.scholarvox.com/netsen/book/88924199">https://international.scholarvox.com/netsen/book/88924199</a> |
| Electronic format type | text/html |
| Host name | |
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