From the Music Scene to Musicalized Networks (notice n° 548579)
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fixed length control field | 01392cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121115300.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Costantini, Stéphane |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | From the Music Scene to Musicalized Networks |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2015.<br/> |
500 ## - GENERAL NOTE | |
General note | 25 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Several notions have been developed in research currents studying popular music, to examine the geographic, social and economic dimensions of musical facts and their dynamics. These notions were jointly developed and mobilized by French and English-speaking researchers from cultural studies, political economy (or socio-economics of cultural industries), and the sociology of arts and culture. This article considers the possible divergences and articulations between three of these notions, the scene, the proto-market and the musicalized network, and discusses their respective heuristic potentials. Based on the example of musicians from various parts of France and the United Kingdom, we seek to show just how useful these notions can be to study the modalities of development of music projects, particularly to examine the musicians’ construction of the symbolic and economic value of their musical activities. |
786 0# - DATA SOURCE ENTRY | |
Note | Réseaux | o 192 | 4 | 2015-10-15 | p. 143-167 | 0751-7971 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-reseaux-2015-4-page-143?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-reseaux-2015-4-page-143?lang=en&redirect-ssocas=7080</a> |
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