From the Music Scene to Musicalized Networks (notice n° 548579)

détails MARC
000 -LEADER
fixed length control field 01392cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121115300.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Costantini, Stéphane
Relator term author
245 00 - TITLE STATEMENT
Title From the Music Scene to Musicalized Networks
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2015.<br/>
500 ## - GENERAL NOTE
General note 25
520 ## - SUMMARY, ETC.
Summary, etc. Several notions have been developed in research currents studying popular music, to examine the geographic, social and economic dimensions of musical facts and their dynamics. These notions were jointly developed and mobilized by French and English-speaking researchers from cultural studies, political economy (or socio-economics of cultural industries), and the sociology of arts and culture. This article considers the possible divergences and articulations between three of these notions, the scene, the proto-market and the musicalized network, and discusses their respective heuristic potentials. Based on the example of musicians from various parts of France and the United Kingdom, we seek to show just how useful these notions can be to study the modalities of development of music projects, particularly to examine the musicians’ construction of the symbolic and economic value of their musical activities.
786 0# - DATA SOURCE ENTRY
Note Réseaux | o 192 | 4 | 2015-10-15 | p. 143-167 | 0751-7971
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-reseaux-2015-4-page-143?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-reseaux-2015-4-page-143?lang=en&redirect-ssocas=7080</a>

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