Midnight in the Garden of Good and Evil: Itineraries and Detours of the South (notice n° 551807)
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| fixed length control field | 01508cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121120523.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Liénard, Marie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Midnight in the Garden of Good and Evil: Itineraries and Detours of the South |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2009.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 8 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The article focuses on the way the same factual reality (the city of Savannah, its inhabitants, a famous murder trial) is dealt with in Midnight in The Garden of Good and Evil, the book by John Berendt and the movie by Clint Eastwood. The two works present different points of view on the American South while creating different Souths; the movie 'Southernizes'? Berendt's approach to Savannah and its world, in particular through the use of Gothic and grotesque elements. Therefore, ' Midnight the movie'? (as Eastwood puts it) should be seen as more than a filmic adaptation of a book, and engages in what Richard Gray calls the 'process of writing the South'?. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Clint Eastwood |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Midnight in the Garden of Good and Evil |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | filmic adaptation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | John Berendt |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Savannah |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | gothic |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | representation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | American South |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | grotesque |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française d’études américaines | o 120 | 2 | 2009-08-21 | p. 37-53 | 0397-7870 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2009-2-page-37?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2009-2-page-37?lang=en&redirect-ssocas=7080</a> |
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