Making up for Absence: Art Spiegelman's MetaMaus, or the End of Models? (notice n° 552310)
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fixed length control field | 01409cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121120643.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Bardizbanian, Audrey |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Making up for Absence: Art Spiegelman's MetaMaus, or the End of Models? |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2015.<br/> |
500 ## - GENERAL NOTE | |
General note | 32 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Published on the 25th anniversary of Art Spiegelman’s acclaimed graphic novel, Maus, MetaMaus (2011) is an intermedial work consisting of interviews and various archival materials on the making of Maus, which is itself a reconstruction of the artist’s father’s oral testimony on his survival in Auschwitz, but also relates his own trauma, as a child of survivors. This article means to discuss the way in which the materiality of the book questions its own status as an object and a medium as well as the alternative readings it entails. Drawing on Jacques Derrida’s theorization of the supplement, in De la grammatologie, we strive to look at the way in which the book, through its very hybridity and heterogeneity, tries to fill a void, an absence, that paradoxically enables the author to reconstruct his own legacy of history and trauma. |
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Note | Revue française d’études américaines | o 142 | 1 | 2015-10-02 | p. 87-106 | 0397-7870 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2015-1-page-87?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2015-1-page-87?lang=en&redirect-ssocas=7080</a> |
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