Jazz: Modernity, Modernism, Identity (notice n° 552965)

détails MARC
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041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
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Personal name Gonzalez, Éric
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Title Jazz: Modernity, Modernism, Identity
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2001.<br/>
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General note 54
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Summary, etc. Since the 1910s, jazz has been the soundtrack of modernity. In view of the long and rich history of this art form, the aim of this paper is to study the connections between black musics, cultures and identities that critics such as LeRoi Jones, Ralph Ellison and Paul Gilroy have brought to light. Jazz musicians’ multifaceted and plural status in particular provides an interesting synecdoche of the transatlantic transactions which have been the mainspring of western culture.
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Topical term or geographic name as entry element african-americans
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Topical term or geographic name as entry element musicians black
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element jazz history and criticism
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Topical term or geographic name as entry element intellectual life
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Topical term or geographic name as entry element modernism
786 0# - DATA SOURCE ENTRY
Note Revue française d’études américaines | Special Issue | 5 | 2001-11-01 | p. 84-96 | 0397-7870
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2001-5-page-84?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2001-5-page-84?lang=en&redirect-ssocas=7080</a>

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