Nikolai Gogol, Playwright: Between Ukraine and Russia (notice n° 570827)
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fixed length control field | 01394cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121132014.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Camel, Olga |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Nikolai Gogol, Playwright: Between Ukraine and Russia |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2010.<br/> |
500 ## - GENERAL NOTE | |
General note | 22 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Of all Russian writers, Gogol certainly was the most attracted by drama: as a playwright, as an inimitable reader of his own works and as a theoretician. Very early on, he was involved in two theatrical trends, literary and popular. From his father, who wrote humorous comedies, he inherited a passion for amateur theatricals, and he starting putting on shows when he was still in high school. His dramatic works include three completed comedies: The Government Inspector ( Revizor), Marriage and Gamblers. With Revizor, he gave Russia its first truly national play. This study also emphasizes a fact which has been neglected by critics. Gogol was interested in history, Ukrainian history in particular, and he wrote a heroic play, The Shaved Moustache, about Zaporozhian Cossacks; he burnt the manuscript, but took up the theme in the second version of his novel Taras Bulba. |
786 0# - DATA SOURCE ENTRY | |
Note | Revue de littérature comparée | o 331 | 3 | 2010-02-01 | p. 295-307 | 0035-1466 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-de-litterature-comparee-2009-3-page-295?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-de-litterature-comparee-2009-3-page-295?lang=en&redirect-ssocas=7080</a> |
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