Effi Briest, or Adultery without Its Lyrical Legions (notice n° 570835)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01263cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121132014.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Chardin, Philippe |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Effi Briest, or Adultery without Its Lyrical Legions |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2010.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 30 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | From an extreme discrepancy between an insignificant adulterous relationship and the harshness of its consequences, for which Madame Bovary was taken as a parallel and contrast, Fontane’s novel Effi Briest reveals a triple psycho-sociological inhumanity, that of automatization, archaic anachronism, and tormented and sacrificed innocence. However, other elements, which are important to the interpretation novelists implicitly propose of their own fiction, are likely to blunt readers’ realization and indignation, namely the tone of the ending, Effi’s surprising retraction after her rebellion, and her apparent obedience to a threefold fate that is pagan, Christian, and naturalistic and which sets the course of Fontane’s novel. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue de littérature comparée | o 332 | 4 | 2010-04-23 | p. 425-435 | 0035-1466 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-de-litterature-comparee-2009-4-page-425?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-de-litterature-comparee-2009-4-page-425?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux