Can a Trilingual Work Be Original? (notice n° 571330)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01185cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121132142.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Gauthier, Stanislas |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Can a Trilingual Work Be Original? |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 30 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Nabokov’s originality resides in his trilingualism. When he translates his writings into English, Russian, or French, he avoids any superimposition of the various versions of his works. Every translation thus becomes an original and vice versa because the writer always conceived his work in three languages. Thus, thanks to a more complex understanding of what seems obvious, a reflection on the powers of art is made possible. Rather than making reality a source, Nabokov brings to light its multiplicity, which is fragmented into separate facets, thus revealing the necessity of a form of literature that plays on scale and languages in order to grasp a world of illusions. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue de littérature comparée | o 342 | 2 | 2012-07-01 | p. 217-232 | 0035-1466 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-de-litterature-comparee-2012-2-page-217?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-de-litterature-comparee-2012-2-page-217?lang=en&redirect-ssocas=7080</a> |
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