A transatlantic modernist poetry: Blaise Cendrars’s Feuilles de route (notice n° 572067)
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|---|---|
| fixed length control field | 01270cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121132405.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Brion, Charles |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | A transatlantic modernist poetry: Blaise Cendrars’s Feuilles de route |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 18 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cendrars discovered Brazil in 1924 and related this visit in a collection of poems: Feuilles de route. He paints Brazil as a tropical and sensual, multiracial and colorful country, blending nature and dizzying human activity. Futurism, simultaneism, and the praise of a melting pot (a metaphor for his artistic work) find an adequate medium of expression there. We study Feuilles de route as a transatlantic gaze directed at a “second spiritual homeland” and as the realization of modernist aspirations, distinguishing modernism as a form, which Cendrars brings with him to Brazil, and as a renewal of inspiration (found in Brazil), which would then be translated into prose. Cendrars thus became more modern than modernist. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue de littérature comparée | o 366 | 2 | 2018-06-08 | p. 137-149 | 0035-1466 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-de-litterature-comparee-2018-2-page-137?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-de-litterature-comparee-2018-2-page-137?lang=en&redirect-ssocas=7080</a> |
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