There comes a day when the heart folds: Traces of the elegiac in Romantic theater (notice n° 573946)
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|---|---|
| fixed length control field | 01155cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121133225.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Ledda, Sylvain |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | There comes a day when the heart folds: Traces of the elegiac in Romantic theater |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 18 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | What is the role of elegy and the elegiac in Romantic theatre? At a time when the poetic genres are nourishing those of the theatre, the circulation of the elegy within the plays of the Romantic repertoire is part of a fruitful aesthetic dialogue. This paper focuses on the way the elegiac is part of the emotion produced by the Romantic performance. Elegiac intertextualities participate in the sensibilities of a dramatic work, at the same time as they structure its characters. But conversely, the so-called femininity usually associated with elegy can become a failing, emotions taking control of the “drama” and of the development of action. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Romantisme | o 196 | 2 | 2022-06-01 | p. 67-80 | 0048-8593 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-romantisme-2022-2-page-67?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-romantisme-2022-2-page-67?lang=en&redirect-ssocas=7080</a> |
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