French melody, or critical elegy (notice n° 573953)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01361cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121133226.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Vivès, Vincent |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | French melody, or critical elegy |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 25 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | French melody, at the heart of the issues involving poetry and music in the 19th century, constitutes a counter-model, within a critical posture that tends to question the aesthetic of Romantic intentionality (the presence of a subjectivity organising sense and sensibility, historical or divine determinations contaminating the medium). A late arrival in the world of 19th century romance and Lied, it gets rid of this pervasive intentionality: in it, subject and object dissolve in favour of a bringing to consciousness “the mortal character of sensual experience” (Adorno). The finite character of an art concentrated on its own medium answers the infinite upon which the Romantic aesthetic feeds, and thus replaces Romantic elegiac sensibility by the idea of the necessity to mourn mournings and lamentations themselves, mournings through which Romanticism had recovered its expressive powers. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Romantisme | o 196 | 2 | 2022-06-01 | p. 138-148 | 0048-8593 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-romantisme-2022-2-page-138?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-romantisme-2022-2-page-138?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux