Singing about crime in the nineteenth century (notice n° 573998)

détails MARC
000 -LEADER
fixed length control field 01459cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121133231.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Heintzen, Jean-François
Relator term author
245 00 - TITLE STATEMENT
Title Singing about crime in the nineteenth century
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2023.<br/>
500 ## - GENERAL NOTE
General note 71
520 ## - SUMMARY, ETC.
Summary, etc. The criminal lament or ballad, given the ease with which, with its excesses and approximations, it can caricature itself, does not figure in many anthologies: it seems it is a “second tier song”, a cheap work for the vulgum pecus. The same goes for news rags, with their macabre xylographs for support, with their street singers in front of their “crime scenes”. Need one neglect such songs for all that, given that they aroused the enthusiasm of the ordinary people, as much those of Paris as of the provinces? Previous work on this topic deserves to be completed and nuanced through the study of provincial producers and publishers of criminal laments and songs, based on sources from the press, the peddlers’ guilds and regulation authorities, the legal deposit, and a multitude of unpublished songs, which enable us to bring light upon the conditions leading to the publication of this modest sung literature, its circulation, and its reception by popular audiences.
786 0# - DATA SOURCE ENTRY
Note Romantisme | o 200 | 2 | 2023-06-15 | p. 20-32 | 0048-8593
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-romantisme-2023-2-page-20?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-romantisme-2023-2-page-20?lang=en&redirect-ssocas=7080</a>

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