The voice of emancipation? Songwriting practices of Parisian dressmakers in the nineteenth century (notice n° 574000)

détails MARC
000 -LEADER
fixed length control field 01422cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121133231.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Noël, Clément
Relator term author
245 00 - TITLE STATEMENT
Title The voice of emancipation? Songwriting practices of Parisian dressmakers in the nineteenth century
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2023.<br/>
500 ## - GENERAL NOTE
General note 73
520 ## - SUMMARY, ETC.
Summary, etc. Seamstresses, with their distinctive position within the Parisian working class, fascinate the numerous philanthropists and journalists who multiply their publications thus modelling the image of the perfect female worker as they fantasize her. The seamstress’s leisure time constitutes a major component of these Pygmalions’ productions. Song is viewed as a way of transmitting Republican values and righting these female workers’ morals. At the very start of the 20th century, a certain number of works offer free artistic education to young Parisian seamstresses, using methods that recall those in school promoting education through song. Despite these reformers’ attempts to impose good forms of leisure, the workers vary in their singing practice between submission, rebellion and at times subversion. This paper tries to recreate their distinctive voice on their path to emancipation.
786 0# - DATA SOURCE ENTRY
Note Romantisme | o 200 | 2 | 2023-06-15 | p. 44-54 | 0048-8593
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-romantisme-2023-2-page-44?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-romantisme-2023-2-page-44?lang=en&redirect-ssocas=7080</a>

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