“Before writing, every people sang”: Thinking about the relationship between poetry, music, and history in the Romantic age (notice n° 574004)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01286cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121133231.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Loisel, Gaëlle |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Before writing, every people sang”: Thinking about the relationship between poetry, music, and history in the Romantic age |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2023.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 77 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The collections of popular songs that started to be published in Europe in the 1760s belong to a context of rebellion against classical or neoclassical aesthetics and vindication of national identities. However, they also support a scientific and anthropological reflexion. Far from being seen purely aesthetically, the songs published are seen as documents serving the writing of a history of the peoples of Europe. Hugh Blair, Macpherson’s commentator, and Johann Gottfried von Herder, in particular, develop a philosophy of history and a theory of language putting forward the essentially poetic and musical dimensions of the language of the origins. Their position is the basis or European romantic thinking about popular song. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Romantisme | o 200 | 2 | 2023-06-15 | p. 94-103 | 0048-8593 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-romantisme-2023-2-page-94?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-romantisme-2023-2-page-94?lang=en&redirect-ssocas=7080</a> |
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