The studio glass roof: From the artist’s studio to an aesthete’s studio (notice n° 574299)

détails MARC
000 -LEADER
fixed length control field 01415cam a2200169 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121133331.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Régnier, Marie-Clémence
Relator term author
245 00 - TITLE STATEMENT
Title The studio glass roof: From the artist’s studio to an aesthete’s studio
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2023.<br/>
500 ## - GENERAL NOTE
General note 15
520 ## - SUMMARY, ETC.
Summary, etc. The article shows how the motif of the studio glass roof deserves to be considered in relation to Romantic, Realist, Naturalist and Decadent poetics, as well as to the architectural innovations of the nineteenth century, which marked the gradual conquest of glass and iron in urban space. The analysis offers a chronological, thematic and poetic tour of fictional and real places of life and creation, from Théophile Gautier to Joris-Karl Huysmans, via Victor Hugo, Honoré de Balzac, Émile Zola and the Goncourt brothers. At stake: the gradual opacification that marks the transformation of the artist’s studio into a writer’s studio, then into an aesthete’s studio, and the transition from a sceno-mythographic conception of the Romantic writer-artist as demiurge to that of an aesthete who collects more than he creates in his Maison d'[un] artiste.
700 10 - ADDED ENTRY--PERSONAL NAME
Personal name Bourgeois, Bertrand
Relator term author
786 0# - DATA SOURCE ENTRY
Note Romantisme | o 202 | 4 | 2023-12-11 | p. 25-40 | 0048-8593
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-romantisme-2023-4-page-25?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-romantisme-2023-4-page-25?lang=en&redirect-ssocas=7080</a>

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