Fearing Neither God nor Man: Psychoanalysis and Cinema in Argentina (notice n° 581185)

détails MARC
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Language code of text/sound track or separate title fre
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Personal name Gherovici, Patricia
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Title Fearing Neither God nor Man: Psychoanalysis and Cinema in Argentina
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Date of publication, distribution, etc. 2014.<br/>
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General note 100
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Summary, etc. Given the huge popularity of psychoanalysis in Argentina, one might wonder whether it has not replaced politics. Could psychoanalysis have come to fill the void as politics is reduced to its cultural aspect? Has it also replaced religion? Rejecting these two theses, I argue that psychoanalysis is important because of its foundational link to the Law. To demonstrate this, I discuss two recent Argentine films which allow me to explore the complex relations Argentine culture entertains with the Law. I will suggest that psychoanalysis is popular because it is a symptom of the void of the Law. The films analysed are La Fuga (dir. Eduardo Mignona, 2001) and El Secreto de sus Ojos (dir. Juan Jose Campanella, 2009).
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Topical term or geographic name as entry element the Law
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Topical term or geographic name as entry element state of exception
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Topical term or geographic name as entry element state terrorism
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Topical term or geographic name as entry element psychoanalysis in Argentina
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Note Savoirs et clinique | o 17 | 1 | 2014-11-03 | p. 101-107 | 1634-3298
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Uniform Resource Identifier <a href="https://shs.cairn.info/journal-savoirs-et-cliniques-2014-1-page-101?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-savoirs-et-cliniques-2014-1-page-101?lang=en&redirect-ssocas=7080</a>

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