Essay on Sound: Stage Mechanism and Kinesthetic Area in Electronic Music (notice n° 582351)

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Personal name Lebas, Frédéric
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Title Essay on Sound: Stage Mechanism and Kinesthetic Area in Electronic Music
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Date of publication, distribution, etc. 2005.<br/>
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General note 8
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Summary, etc. This paper considers a contemporary sensitiveness linked to the event of the bodily perception of sound: starting with the plastic properties of electronic music’s sound; deconstructing and reconstructing scenic elements of festive movement from industrial and techno music; tracing the traditions initiated by the “universal artwork” ( Gesamtkunstwerk) the performance, and lastly the work called immersive, we will update the organization of a “kinesthetic space.” The immersed body in this “space event” would test high intensity sensations—a body that we call “without organ,” a reflection of our postmodernism in its quest of exacerbated sensations and interstitial spaces of freedom.
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Topical term or geographic name as entry element sensation
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Topical term or geographic name as entry element electronic music
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Note Sociétés | o 90 | 4 | 2005-11-01 | p. 99-108 | 0765-3697
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Uniform Resource Identifier <a href="https://shs.cairn.info/journal-societes-2005-4-page-99?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-societes-2005-4-page-99?lang=en&redirect-ssocas=7080</a>

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