The appropriation of the zombie figure in Korean cinema (notice n° 583647)

détails MARC
000 -LEADER
fixed length control field 01821cam a2200277 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121142006.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Coppola, Antoine
Relator term author
245 00 - TITLE STATEMENT
Title The appropriation of the zombie figure in Korean cinema
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2021.<br/>
500 ## - GENERAL NOTE
General note 79
520 ## - SUMMARY, ETC.
Summary, etc. The acclimatization of the zombie figure in South Korean cinema initially faced resistance from the traditional horror imaginary. However, since the 2010s, zombies have gradually established themselves with successful films that have reached a wide audience (Train to Busan, Peninsula). Nevertheless, the Koreanization of the zombie is not without an impact: by reproducing the shift, already made in the West, from the transcendental zombie (linked to the spirits of metaphysics) to the immanent zombie (corporealized and “naturalized”) that can be used as a metaphor in the service of a social critique (social divisions, industrial and communicational alienations), a paradigm shift of the Korean imaginary is emerging. The family, a particular focus in these films, and its traditional sacralization are particularly affected. Beyond its subversive character at the socio-political level, the Korean zombie, in its new form, after going through a hybrid form with the traditional ghost, signals a post-human futuristic being, derived from humans but without humanity.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element shamanism
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element zombie
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element imaginary
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element post-human
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element horror cinema
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element shamanism
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element zombie
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element imaginary
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element post-human
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element horror cinema
786 0# - DATA SOURCE ENTRY
Note Sociétés | o 152 | 2 | 2021-10-22 | p. 115-126 | 0765-3697
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-societes-2021-2-page-115?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-societes-2021-2-page-115?lang=en&redirect-ssocas=7080</a>

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