Dystopia and subversion in international Korean series (notice n° 583797)
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fixed length control field | 01933cam a2200253 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121142047.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Coppola, Antoine |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Dystopia and subversion in international Korean series |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2023.<br/> |
500 ## - GENERAL NOTE | |
General note | 96 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Korean dystopian series broadcast on American VOD platforms have become an unmissable cultural phenomenon. These are not your average K-dramas. The latter are mostly utopian and promote neo-traditionalism. Nor are they fatalistic dystopias in the manner of recent American series. We show that these international Korean series, which we call dystopias of veridiction,” refocus the dystopian paradigm on widespread social falsification and the quest for truth as an antidote. This involves the subversive and imaginative transfiguration of stereotyped spaces authorized by the dominant authorities in heterotopic spaces of veridiction. In so doing, through a gory aesthetic opposed to that of “clean bodies,” they put death back at the heart of the issues at stake in a globalized capitalism that has become deadly. Rejecting the ethereal refuge of spiritualism that dominates culture and K-dramas, they remind viewers of the suffering body, victim of a capitalism that has reached its deadly stage, necro-capitalism. These bodies, those of the characters, are not divided; on the contrary, they seek, far from the false pretenses of the world, to renew a link, a new innocence, and a solidarity independent of established powers. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | dystopia |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | series |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | veridiction |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | necro-capitalism |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | dystopia |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | series |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | veridiction |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | necro-capitalism |
786 0# - DATA SOURCE ENTRY | |
Note | Sociétés | o 162 | 4 | 2023-12-28 | p. 97-108 | 0765-3697 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-societes-2023-4-page-97?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-societes-2023-4-page-97?lang=en&redirect-ssocas=7080</a> |
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