Medusan Cities, Ghostly and Photographic Cities: Between Presence and Absence (notice n° 585920)
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|---|---|
| fixed length control field | 01339cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121142952.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Rion, Valéry |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Medusan Cities, Ghostly and Photographic Cities: Between Presence and Absence |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2016.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 87 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The aim of this paper is to conduct a comparative reading of Arria Marcella by Théophile Gautier and Bruges-la-Morte by Georges Rodenbach, the first novel that mixed texts and photographs in French literary history. In these two texts, we find cities that are linked with death: Pompeii and Bruges. Pompeii is a ghost city rediscovered after it was buried beneath the ashes of Vesuvius. As for Bruges, its textual and photographic representation shows the emptiness and absence in the narrator’s life following his wife’s death. The urban environment, particularly that of a ghost city, is the ideal surrounding for a ghost to appear, in these particular cases a dead woman in love. As a result, we will describe the common points between the poetic treatment of the ghost city and the dead woman. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés & Représentations | o 41 | 1 | 2016-06-21 | p. 15-30 | 1262-2966 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-societes-et-representations-2016-1-page-15?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-societes-et-representations-2016-1-page-15?lang=en&redirect-ssocas=7080</a> |
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