The killer widow (notice n° 586102)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01745cam a2200277 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121143034.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | de Baecque, Antoine |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The killer widow |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 76 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | By studying the conditions in which François Truffaut’s film, The Bride Wore Black, was conceived, written, produced, and shot, we aimed to shed light on the multifaceted expressions of widowhood among the film’s auteur, the writer of the adapted text (William Irish), and the film’s lead actress, Jeanne Moreau. Irish was a perpetual widower with a fetishistic taste for black; Truffaut was desperately seeking ways to get beyond the loss of passions both in the flesh and on the screen; and Moreau portrayed widowhood through her black and white outfits designed by Pierre Cardin, grieving over the brutal death of her fictional husband who was shot dead on the steps of the church immediately after their wedding, and helping every one of her characters/future victims to die. As Truffaut admits in a letter to Hitchcock: “The widow is a virgin”: a paradox that lies at the core of the film and all its interpretations. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | death |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | François Truffaut (film director) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | literary adaptation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | widow |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | The bride wore black (movie) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | revenge |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | William Irish (novelist) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Jeanne Moreau (actress) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mourning |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés & Représentations | o 46 | 2 | 2018-11-07 | p. 47-54 | 1262-2966 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-societes-et-representations-2018-2-page-47?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-societes-et-representations-2018-2-page-47?lang=en&redirect-ssocas=7080</a> |
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