The conception of bodily beauty in “La Culture Physique”: Researching the ideal of antiquity (notice n° 587264)

détails MARC
000 -LEADER
fixed length control field 02226cam a2200217 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121143455.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Campillo, Philippe
Relator term author
245 00 - TITLE STATEMENT
Title The conception of bodily beauty in “La Culture Physique”: Researching the ideal of antiquity
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2018.<br/>
500 ## - GENERAL NOTE
General note 42
520 ## - SUMMARY, ETC.
Summary, etc. Physical culture, strength training and bodybuilding maintain and develop muscles through specific training methods for wellness and body aesthetics. During competitions, the plastic beauty of subjects is evaluated, compared and classified. Since the end of the nineteenth century, the perceptible and quantifiable indices of plastic beauty have engaged the candidates and the judges of these competitions. This concern for plastic body evaluation, not forgetting health and strength, has been present in the corpus of the journal “ La Culture Physique” since its creation by Edmond Desbonnet in 1904. In the promotion of “health, beauty, strength” through training, two tendencies concerning bodybuilding span the second half of the twentieth century. One concerns the initial quest for harmonic balance, referring to measures inspired by antiquity; the other appeared after 1945, focusing on the glorification of voluminal hypertrophy and mass disproportion as signs of excellence. Based on this framework, our study approaches the analysis of several articles in the “ La Culture Physique” journal, dealing with aesthetic appreciation. It reveals the scientific and cultural filiations that contributed to the development of a certain bodybuilding influence with well-defined aesthetic sensibilities, quantifying the harmony ideal according to various sculptural models from antiquity, in particular Polykleitos’ Doryphoros for the expression of beauty, in opposition to the embodiment of strength in the Farnese Hercules.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element body aesthetics
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element model of beauty
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element weight training
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element sculpture
700 10 - ADDED ENTRY--PERSONAL NAME
Personal name Porrovecchio, Alessandro
Relator term author
786 0# - DATA SOURCE ENTRY
Note Staps | o 119 | 1 | 2018-03-12 | p. 11-25 | 0247-106X
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-staps-2018-1-page-11?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-staps-2018-1-page-11?lang=en&redirect-ssocas=7080</a>

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