Filming the gulag: Between history and memory (notice n° 588534)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01006cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121144048.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Feigelson, Kristian |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Filming the gulag: Between history and memory |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 77 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | How is the Gulag represented in USSR and Russia these days? Focused on the first Soviet film “SLON” (1927) staging the Gulag, this article reexamine different paradoxes about the social imaginary of the Labor Camps in Russia today. This study is based on a research conducted in the Solovkis Islands, which prefigured in 1923 the entire Soviet prison camp system, where the film was shot in 1927, describing the daily life in the camp as a valuable document to present a new form of visual totalitarianism. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Le Temps des médias | o 33 | 2 | 2020-05-25 | p. 145-164 | 1764-2507 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-le-temps-des-medias-2019-2-page-145?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-le-temps-des-medias-2019-2-page-145?lang=en&redirect-ssocas=7080</a> |
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