Being a Contemporary Dancer: A "Body and Soul" Career (notice n° 589339)

détails MARC
000 -LEADER
fixed length control field 01438cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121144411.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Sorignet, Pierre-Emmanuel
Relator term author
245 00 - TITLE STATEMENT
Title Being a Contemporary Dancer: A "Body and Soul" Career
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2004.<br/>
500 ## - GENERAL NOTE
General note 77
520 ## - SUMMARY, ETC.
Summary, etc. The female dancer's body has been the heart of most ideological stakes underlying the will to depart from academism. Departing from the model of the classical dancer, the contemporary dancer seems to have freed herself from the physical and moral constraints particularly imposed in training institutions. However, the enquiry shows that a stereotyped female body model continues to be imposed in other ways. The labor market of contemporary dance thus reveals the discrepancy between the ideological speech akin to the field of contemporary dance (multiple female physiques allowed to dance, prime interest in the 'singularity' of the individual) and the requirements to obtain a job on the labor market of contemporary dance. Finally, the resonance of job constraints in the intimate field (choice of partner, maternity) illustrates the ambiguity of a profession that is considered like "liberation" and "vocation."
786 0# - DATA SOURCE ENTRY
Note Travail, genre et sociétés | o 12 | 2 | 2004-11-01 | p. 33-53 | 1294-6303
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-travail-genre-et-societes-2004-2-page-33?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-travail-genre-et-societes-2004-2-page-33?lang=en&redirect-ssocas=7080</a>

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