The Democratization of Museums:An Intellectual Profession for Women (notice n° 589451)
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fixed length control field | 01368cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121144435.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Peyrin, Aurélie |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | The Democratization of Museums:An Intellectual Profession for Women |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2008.<br/> |
500 ## - GENERAL NOTE | |
General note | 88 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | At the beginning of the 20th century, accompanying visitors in musems is thought of as a female profession from the start by male curators eager to keep the first graduates in art history away from scientific positions. This female intellectual profession evolves throughout the century by adapting to demand through short-term jobs with changing levels of activity. One century later, the characteristics of the profession have remained unchanged, but it now attracts certain men, mostly artists who make-do with these flexible working conditions because they give them time for their artistic creation. Besides, the accompanyers, whatever their gender, tend to "naturalize" the competencies at work in their profession and live matrimonial situations "typically" female: the partner is the one to secure the financial security of the couple. |
786 0# - DATA SOURCE ENTRY | |
Note | Travail, genre et sociétés | o 19 | 1 | 2008-04-01 | p. 65-85 | 1294-6303 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-travail-genre-et-societes-2008-1-page-65?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-travail-genre-et-societes-2008-1-page-65?lang=en&redirect-ssocas=7080</a> |
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