The Theatre of the People of Bussang (notice n° 591575)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01222cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121145449.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Leveratto, Jean-Marc |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The Theatre of the People of Bussang |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2004.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 27 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The Bussang Theatre as a performance event or system has inspired many theatre historians but not from the point of view of a cultural history of theatre technique. The reconstitution of the origins of this cultural high spot enables the roles of the spectator and technical objects, including the body, to be included in the theatrical description of an event. It adds, in general, to a better understanding of the use of history as a means of an event’s cultural qualification. In a context of the decentralization and development of a local culture market, it attests to the interest of a sociological-anthropology of performance to understand better the stakes of certain contemporary cultural choices. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Vingtième Siècle. Revue d’histoire | o 83 | 3 | 2004-08-01 | p. 5-19 | 0294-1759 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-vingtieme-siecle-revue-d-histoire-2004-3-page-5?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-vingtieme-siecle-revue-d-histoire-2004-3-page-5?lang=en&redirect-ssocas=7080</a> |
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