D’où vient le pouvoir des images ? (notice n° 608025)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02128cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121160956.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Albert, Jean-Pierre |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | D’où vient le pouvoir des images ? |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 29 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cet article présente une perspective générale sur les formes et modalités des effets des images sur les personnes. À partir de l’hypothèse que le registre des représentations est porteur d’une ambiguïté ontologique, on examine les raisons de l’iconophobie, et à l’inverse de la fascination que les images peuvent exercer. On s’interroge à travers le cas de la photographie sur la part du réel figuré et celle de potentialités propres à l’image qui se révèlent le plus nettement dans l’art – puissance rhétorique, jeux d’échelle (du gigantisme à la miniature), place de l’anthropomorphisme, complexité formelle de figures déroutant le regard. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article presents a general overview of the forms and modalities of the effects that images have on people. Starting from the hypothesis that the register of visual representations contains an ontological ambiguity, the article examines the reasons behind iconophobia, and conversely the fascination that images can exert. Focusing on the case of photography, I reflect on the figurative real and on those unique features of the image that are most clearly revealed in art-rhetorical power, ways of playing with scale (from gigantism to miniaturism), the place of anthropomorphism, and the formal complexity of figures that can mislead the viewer’s gaze. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ambivalence ontologique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | iconophobie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | agentivité des représentations |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | anthropologie de l’image |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | agency of representations |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | anthropology of the image |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ontological ambivalence |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | iconophobia |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Empan | 119 | 3 | 2020-09-03 | p. 14-21 | 1152-3336 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-empan-2020-3-page-14?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-empan-2020-3-page-14?lang=fr&redirect-ssocas=7080</a> |
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