Le style du pire Lacan et Mallarmé (notice n° 616289)
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fixed length control field | 01433cam a2200169 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121164512.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Gascuel, Nils |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Le style du pire Lacan et Mallarmé |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2006.<br/> |
500 ## - GENERAL NOTE | |
General note | 44 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Le baroquisme de Lacan est souvent vu comme un détail ou un défaut. En rapportant son style à celui de Mallarmé on trouve au contraire qu’il répond au projet de rétablir les droits de l’expressivité, constamment bafoués par le privilège accordé à la signification dans le discours. La rhétorique est thérapeutique (non l’inverse) quand elle restitue au sujet l’usage des figures et des semblants qui lui permettent d’inventer le relief de sa désolation. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The style of the worst. Lacan and Mallarmé Lacan’s baroque style is often seen as a detail or a defect. If, however, we relate his style to Mallarmé’s, we find, on the contrary, that it corresponds to a plan to restore rights of expressiveness, constantly ridiculed by the privilege granted to signification in speech. Rhetoric is therapeutic (not the opposite) when it gives back the use of figures and semblance to the subject, which allow him to invent the depths of his desolation. |
786 0# - DATA SOURCE ENTRY | |
Note | Essaim | 16 | 1 | 2006-04-13 | p. 111-128 | 1287-258X |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-essaim-2006-1-page-111?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-essaim-2006-1-page-111?lang=fr&redirect-ssocas=7080</a> |
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