From Intimacy’s Renaissance Subject to the Intimate Revealed in Art (notice n° 647379)
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| fixed length control field | 01625cam a2200253 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121183529.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Jacob Subrenat, Virginie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | From Intimacy’s Renaissance Subject to the Intimate Revealed in Art |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2009.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 88 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | We will try in this article to show how art enables us to make the distinction between intimacy and the intimate. Art represents jouissance and offers insights about the division between our intimate and our intimacy. In fact, the structure of intimacy emerged with the subject of the perspective, Alberti’s Renaissance subject. The intimate, on the other hand, is associated more with the Baroque period and is seen for example in the painting of Vermeer. Intimacy is comparable to a specular and phantastic mask that conceals the intimate and takes the form of the human figure, structurally defined by clear boundaries; whereas in the intimate place of the radical incognito of the subject, there is a trace of infinity. Thus the painter may reveal the unimaginable intimate, which the subject seeks to defend itself from by inventing intimacy. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | intimacy |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | invocatory drive |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | the intimate |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Renaissance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | real |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | scopic drive |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | baroque art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | subject of the perspective |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cliniques méditerranéennes | o 80 | 2 | 2009-12-28 | p. 177-190 | 0762-7491 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-cliniques-mediterraneennes-2009-2-page-177?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-cliniques-mediterraneennes-2009-2-page-177?lang=en&redirect-ssocas=7080</a> |
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