What does the zombie mean, and why? (notice n° 655126)

détails MARC
000 -LEADER
fixed length control field 02001cam a2200289 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121190447.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Coquelin, Lucile
Relator term author
245 00 - TITLE STATEMENT
Title What does the zombie mean, and why?
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2022.<br/>
500 ## - GENERAL NOTE
General note 91
520 ## - SUMMARY, ETC.
Summary, etc. In contemporary cultural productions, the zombie is characterized by a disturbance of the flesh and spirit whose semiotic features have not varied hugely since the films of George Romero, while the reasons for zombification diverge according to historical and social contexts. Our analysis of the series The Walking Dead starts from the hypothesis that the zombie, in this production, has a particular persistence which places it in the category of myth (according to the definition by Roland Barthes). This very long zombie film indefinitely delays the revelation of the causes of zombification—a lack of explanation that raises questions. The aim of the experiment in social semiotics presented in this article is not, however, to “decode” the reasons for the creation of the myth once and for all. In co-interpretation workshops organized in a pedagogical context, we collected interpretative hypotheses from the participants, but we were above all interested in the “interpretative filters” that motivated these hypotheses. The gradual ascent from the hypotheses toward these filters enabled us to observe the action of two major contemporary concerns: ecological collapse and migration.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element series
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element The Walking Dead
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element myth
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element social semiotics
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element zombie
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element series
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element The Walking Dead
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element myth
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element social semiotics
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element zombie
700 10 - ADDED ENTRY--PERSONAL NAME
Personal name Saemmer, Alexandra
Relator term author
786 0# - DATA SOURCE ENTRY
Note Communication & langages | o 212 | 2 | 2022-07-11 | p. 33-48 | 0336-1500
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-communication-et-langages-2022-2-page-33?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-communication-et-langages-2022-2-page-33?lang=en&redirect-ssocas=7080</a>

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