A deviant photonovel? (notice n° 655132)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02059cam a2200313 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121190448.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Di Gregorio, Luca |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | A deviant photonovel? |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 98 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | A genre long associated with the expression of sentimental drama, the photonovel has also been essentially approached in this way by academic research. This article aims to relativize this dominant expectation by considering, from the years of its greatest success, the existence of a photonovel “deviating from the inside,” conveying pastiches, irony, détournements, and visual experiments without detaching itself from the media form traditionally devoted to the genre—the family and/or women’s magazine press of the 1950s–1970s. Centered on the career of photographer and documentary filmmaker Richard Olivier (1945–2021), director of a dozen photonovels in his early years, we will examine both the conditions of access to this genre by young audiovisual creators and, in return, the contamination of this genre by the transitory (and sometimes alimentary) practice that these creators made of it. We will also show the evolution of the editorial discourse of a certain women’s press, which, by loosening the grip of its old domestic model, was able to welcome the renewal of photonovels, inspired by the new popular culture and endowed with a certain amount of self-reflexivity. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | comic |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | photonovel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transmediatic culture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | photography |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | popular media |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | satire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | comic |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | photonovel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transmediatic culture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | photography |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | popular media |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | satire |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Colangelo, Clarissa |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Communication & langages | o 212 | 2 | 2022-07-11 | p. 155-175 | 0336-1500 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-communication-et-langages-2022-2-page-155?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-communication-et-langages-2022-2-page-155?lang=en&redirect-ssocas=7080</a> |
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