Art contemporain, dérision et sociologie (notice n° 658266)
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| fixed length control field | 02000cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121191508.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Heinich, Nathalie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Art contemporain, dérision et sociologie |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2001.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 24 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Apparue avec l’art moderne, la dérision est constitutive de l’art contemporain. Elle se présente sous trois formes : la dérision ludique des artistes qui transgressent les valeurs esthétiques de sens commun, au premier rang desquelles l’authenticité ; la dérision critique des spectateurs qui réagissent à ces transgressions par la moquerie ou l’hypothèse du canular ; et la dérision subversive des œuvres qui sont intégrées aux frontières de l’art au nom de leur pouvoir de contestation. Le problème, pour le sociologue, est de n’adopter aucune de ces trois interprétations, sous peine de se trouver pris dans le jeu même qu’il s’efforce d’analyser. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Contemporary art, derision and sociologyAppeared with modem art, derision is part of contemporary art. It can take three forms : the mockery of the artists transgressing the common sense aesthetic values ; the critic of the viewers reacting by mocking the works or pretending they are but hoaxes ; ant the subversion of the works when integrated into the boundaries of art in the name of contestation. What is at stake for the sociologist is not to adopt any of those interpretations, in order to avoid being taken in the very game he has to analyse. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | subversion |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | herméneutique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | canular |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | art moderne |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | dérision |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | subversion |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | derision |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | hoax |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | modern art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | hermeneutic |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Hermès, La Revue | 29 | 1 | 2001-04-01 | p. 121-130 | 0767-9513 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-hermes-la-revue-2001-1-page-121?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-hermes-la-revue-2001-1-page-121?lang=fr&redirect-ssocas=7080</a> |
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