Le stéréotype dans la bande dessinée franco-belge : jeux et plasticité narrative (notice n° 666647)
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fixed length control field | 02947cam a2200289 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121194312.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Robert, Pascal |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Le stéréotype dans la bande dessinée franco-belge : jeux et plasticité narrative |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2019.<br/> |
500 ## - GENERAL NOTE | |
General note | 54 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | La bande dessinée classique franco-belge, dont il est question dans cet article pour l’essentiel, est, semble-t-il, profondément redevable au stéréotype. En effet, les personnages sont moins des caractères au sens psychologique que des sortes de marionnettes, des vecteurs narratifs qui relèvent d’abord d’une morale. En ce sens le stéréotype du « héros » dans cette BD là est lui-même la version morale du stéréotype : l’homme (plus rarement la femme) de bien, aux valeurs irréprochables, à moins que, tout à l’inverse il ne soit un méchant aux valeurs négatives. Cela dit, cette logique fait également l’objet d’une subversion, qui la courbe quelque peu : ainsi Spirou n’hésite-t-il pas à faire le coup de poing et parfois même contre les douaniers alors que Gaston engage volontiers une guérilla impitoyable contre l’agent Longtarin. Nous voudrions souligner dans cet article la fonction narrative du stéréotype en bande dessinée et le fait que ce stéréotype est doté d’une plasticité qui lui permet d’absorber une déformation qui l’amène à se dépasser comme stéréotype. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The classic graphic novels of French Belgium, which are the primary focus of this article, seem to be deeply beholden to stereotyping. Their characters are less “characters” in the psychological sense than puppets or narrative vectors that, first and foremost, convey a moral. Therefore the stereotype of the “hero” in these graphic novels involves a stereotypical morality : the hero is a man (or, less frequently, a woman) who is good and has the highest ethical standards, unless there is a reversal and the main character is a villain who has negative values. Yet these tendencies have also been subverted and inflected : for example, Spirou does not hesitate to punch even the customs officials, while Gaston engages in merciless guerrilla warfare against Agent Longtarin. In this article, we would like to emphasize both the narrative functioning of stereotypes in graphic novels and their plasticity : they can undergo deformations that enable them to become more than stereotypes. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | bande dessinée |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | subversion |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | morale |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | stéréotype |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | plasticité |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | morale |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | subversion |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | graphic novel |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | stereotype |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | plasticity |
786 0# - DATA SOURCE ENTRY | |
Note | Hermès, La Revue | 83 | 1 | 2019-05-21 | p. 111-118 | 0767-9513 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-hermes-la-revue-2019-1-page-111?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-hermes-la-revue-2019-1-page-111?lang=fr&redirect-ssocas=7080</a> |
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